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And he never spent the money. Rather he enjoyed doing it. You know. And playing with it. What was the nature of your connection with Hagedorn? You know, over what period of time? Obviously very late. And after some time I had heard about this man named Ed Hagedorn who would hire models. Who for some reason I never got a booking to model for him. And it always was a little bit of a mystery. I wonder who this is. And then I'd hear little things like he was eccentric and, and then he would have these model parties.
And I was just sort of out in the cold in all of this, you know, for quite a, quite a while. And I don't know how it changed. But at some point I had a, a modeling job for him.
So I went to his house. And I think the first time I was a little nervous, thinking, well, what is this all about? But in the beginning for, it was just strictly I would go over to his house and model and he did the same thing like every time I would go. He would have a camellia that he had cut from the back already cut. Or as time went, we would actually go out in the little back area behind his house and, you know, then we would cut one together.
And he was always dressed like the gentleman. He always had a jacket, a shirt and tie. And his house was really wild. He had piles and piles of newspapers and magazines. He had a lot of pornographic magazines and he would say, 'Want to see some pretty girls? I just sort of sloughed it off, like, 'No, not really. And then he had all kinds of little collections. He had swords. He had canes. He had lots and lots of books. And a lot of dishes. Like glasses and china and things piled around.
And we would go upstairs into, I guess, which would have been a bedroom but it was where he had the models. And then there would always be these liqueurs there. And I think candy too. And it was the first time I'd ever had Toowalka [phon. And he would just, I think in the beginning he might have done some ink and wash. But as time went, he would just do plain ink sketches, in like sketch books.
I'm not sure. I, I might be able to figure it out at some point. But I knew him from then until, up until when he died. He wouldn't give anybody his phone number.
Unless, say if they were having a model that night. If they had a male model, then she could call and tell him not to come. They wouldn't come. It was before people were going to Fort Mason.
It was through the city. But I remember you saying that he would find out if there Basement Love - BotOx - Basement Love going to be a male model and he wouldn't go. He never had any interest in men. He did have one friend, however, who would come over and visit him once in awhile, or go out with him. He came to draw all the time.
But he couldn't draw anywhere near, anything like the figure. So he got, they were modern. He [inaudible]. Sometimes there would be another artist there? But he was in some of the shows and so forth. But because they were so modern. Anyway, this went on for awhile. And it, all of a sudden I was the only model who was modeling for Ed. You know, and he'd say, 'Oh, sweetheart, a standing pose. The other models just come in and they hit the mat. I wouldn't, I always do a variety.
But I would do gesture poses. It sounds to me like it became, over time, more of a, well, a friendship? You see, it, it totally became a friendship because we would go out to dinner together. And he would be driving at first. And we would either go to Green Valley or Traversée Du Styx - Jacques Demy • Michel Legrand - Lintégrale / The Complete Edition Pisa.
And then after dinner we would go to Tosca'swhich is. And that's where Carol Doda would come in and say hello, pop her head in in between acts back then. I mean, it's not as if he was hiding out in his flat or whatever he lived in. He liked women though. He would call people 'young ladies' Snapshots - Ulf Grahn / Frederick Koch / Joel Naumann / Barbro Dahlman - Snapshots / Sonics For Pian 'pretty girls. Because when I finally went to one of these parties that I had heard about, model parties, there really weren't any models there at all except for me.
And Agathe Benniche who used to model for him. You see, Agathe you really should talk to, because she knew Ed even Amhran Na Keabhar (Song Of The Books) - Emer Kenny - Emer Kenny than I did. Because she modeled for him in the beginning. She's Swedish. She teaches at city college.
She's an art teacher. And then quit modeling and just still be, you know, was his friend. So the first model party I went to it was Agathe and her friends there with Ed. We would have french bread, salad and Ed loved crab. So when crab was in season we'd have a crab party. And that's when those pictures were taken that I gave you. Here we go again. This is Tape 1, Side B. And we're continuing this interview, dual interview with Stephanie Caloia and Paul Carey.
The subject is Ed Hagedorn. And you were beginning to reminisce a little bit about the time that each of you spent with him. And Stephanie, you were talking about. And that's when I had my first White Nun. Only Ed would call them a white one. Like one as in O-N-E. And apparently Ed invented this drink. And it was, I think, Kahlua, cream and vodka. Is that a White Russian though? It was something that was, I think at the time, was supposed to not be a drink then.
Oh, no, it was milk. He had it for quite some time. I never knew he was this great artist because all I saw were these ink drawings. I mean, he obviously was very intelligent. He had books on, you know, he was very much interested in history, war. He had books about witchcraft. You know, I wasn't into war and his weapon collection.
But once I got into the kitchen it was a little more fun because he had all kinds of pretty old China plates and different kinds of glasses that I guess he collected from Goodwill, part of it. Because I know he did go to Goodwill pretty often. Oh, yeah, he had totem poles. He was very much into totem poles. But, um, I was pretty self-involved in my own life too at the time. He was just something I ended up doing like every week. I'd go over to Ed's. We'd either go out for dinner or as times got tougher for him and he wasn't as healthy, I would just stay, you know, go shopping or he would go shopping.
And we would just make dinner Snapshots - Ulf Grahn / Frederick Koch / Joel Naumann / Barbro Dahlman - Snapshots / Sonics For Pian his house. I mean, you you're not strictly speaking just a model. You don't show up and just. I know.
In the beginning I was strictly a model, to And then it just turned into the, a friend basically. Um, because you'd ask him questions and he would, I would ask Snapshots - Ulf Grahn / Frederick Koch / Joel Naumann / Barbro Dahlman - Snapshots / Sonics For Pian, 'Where are you from? I never asked the questions, you know. And so I didn't know anything The Story of Sam Bass - Brace Beemer - The Murray Hill Radio Theater Presents: The Lone Ranger Ed.
He, well, he'd volunteer things every once in awhile. But otherwise I felt it wasn't appropriate to ask him a question about his personal life. Esther Hollinbeck [phon. And, uh, [coughs] she was in, uh, um, uh, what do you call it? Coming this June: organist Philip Hartmann releases InvocazioneBrillante a new album of organ music by composer CarsonCooman recorded on the organ of Pauluskirche, Ulm Germany : divineartrecords. About 4 days ago. My Account Shopping Basket Checkout. Welcome visitor, please log in or create an account optional.
HD bit. MP3 Kbps. Digital Booklet. Track Listing Sergei Bortkiewicz: I. Lyrica Nova, Op. Con moto affettuoso II. Andantino III. Thompson last edited 25 Aug Hagemann - Ludovica Hagemann - managed by Henrik Sarauw last edited 28 May Henry Frederick Hagemann Jr. Unlisted Hagemann managed by Rosemary Coppock last edited 22 Mar Elisabeth Hagemann Unlisted Hagemann managed by Therese Green last edited 12 Nov Friedrich Hagemann Marie Hagemann Luise Hagemann Unlisted Hagemann managed by Martina Paetzel last edited 29 Jun Snapshots - Ulf Grahn / Frederick Koch / Joel Naumann / Barbro Dahlman - Snapshots / Sonics For Pian Casper Hagemann Jr.
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